59 The Project Gutenberg eBook of The Complete Works of William Shakespeare, by William Shakespeare
ACT IV
SCENE I. The Wood
Lysander, Demetrius, Helena and Hermia still asleep.
Enter Titania and
Bottom; Peaseblossom, Cobweb, Moth, Mustardseed and other
Fairies attending; Oberon
behind, unseen.
TITANIA.
Come, sit thee down upon this flowery bed,
While I thy amiable cheeks do coy,
And stick musk-roses in thy sleek smooth head,
And kiss thy fair large ears, my gentle joy.
BOTTOM.
Where’s Peaseblossom?
PEASEBLOSSOM.
Ready.
BOTTOM.
Scratch my head, Peaseblossom. Where’s Monsieur Cobweb?
COBWEB.
Ready.
BOTTOM.
Monsieur Cobweb; good monsieur, get you your weapons in your hand and kill me a
red-hipped humble-bee on the top of a thistle; and, good monsieur, bring me the
honey-bag. Do not fret yourself too much in the action, monsieur; and, good
monsieur, have a care the honey-bag break not; I would be loath to have you
overflown with a honey-bag, signior. Where’s Monsieur Mustardseed?
MUSTARDSEED.
Ready.
BOTTOM.
Give me your neaf, Monsieur Mustardseed. Pray you, leave your courtesy, good
monsieur.
MUSTARDSEED.
What’s your will?
BOTTOM.
Nothing, good monsieur, but to help Cavalery Cobweb to scratch. I must to the
barber’s, monsieur, for methinks I am marvellous hairy about the face;
and I am such a tender ass, if my hair do but tickle me, I must scratch.
TITANIA.
What, wilt thou hear some music, my sweet love?
BOTTOM.
I have a reasonable good ear in music. Let us have the tongs and the bones.
TITANIA.
Or say, sweet love, what thou desirest to eat.
BOTTOM.
Truly, a peck of provender; I could munch your good dry oats. Methinks I have a
great desire to a bottle of hay: good hay, sweet hay, hath no fellow.
TITANIA.
I have a venturous fairy that shall seek
The squirrel’s hoard, and fetch thee new nuts.
BOTTOM.
I had rather have a handful or two of dried peas. But, I pray you, let none of
your people stir me; I have an exposition of sleep come upon me.
TITANIA.
Sleep thou, and I will wind thee in my arms.
Fairies, be gone, and be all ways away.
So doth the woodbine the sweet honeysuckle
Gently entwist, the female ivy so
Enrings the barky fingers of the elm.
O, how I love thee! How I dote on thee!
[They sleep.]
Oberon advances. Enter
Puck.
OBERON.
Welcome, good Robin. Seest thou this sweet sight?
Her dotage now I do begin to pity.
For, meeting her of late behind the wood,
Seeking sweet favours for this hateful fool,
I did upbraid her and fall out with her:
For she his hairy temples then had rounded
With coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell like round and orient pearls,
Stood now within the pretty flouriets’ eyes,
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her,
And she in mild terms begg’d my patience,
I then did ask of her her changeling child;
Which straight she gave me, and her fairy sent
To bear him to my bower in fairyland.
And now I have the boy, I will undo
This hateful imperfection of her eyes.
And, gentle Puck, take this transformèd scalp
From off the head of this Athenian swain,
That he awaking when the other do,
May all to Athens back again repair,
And think no more of this night’s accidents
But as the fierce vexation of a dream.
But first I will release the Fairy Queen.
[Touching her eyes with an herb.]
Be as thou wast wont to be;
See as thou was wont to see.
Dian’s bud o’er Cupid’s flower
Hath such force and blessed power.
Now, my Titania, wake you, my sweet queen.
TITANIA.
My Oberon, what visions have I seen!
Methought I was enamour’d of an ass.
OBERON.
There lies your love.
TITANIA.
How came these things to pass?
O, how mine eyes do loathe his visage now!
OBERON.
Silence awhile.—Robin, take off this head.
Titania, music call; and strike more dead
Than common sleep, of all these five the sense.
TITANIA.
Music, ho, music, such as charmeth sleep.
PUCK.
Now when thou wak’st, with thine own fool’s eyes peep.
OBERON.
Sound, music.
[Still music.]
Come, my queen, take hands with me,
And rock the ground whereon these sleepers be.
Now thou and I are new in amity,
And will tomorrow midnight solemnly
Dance in Duke Theseus’ house triumphantly,
And bless it to all fair prosperity:
There shall the pairs of faithful lovers be
Wedded, with Theseus, all in jollity.
PUCK.
Fairy king, attend and mark.
I do hear the morning lark.
OBERON.
Then, my queen, in silence sad,
Trip we after night’s shade.
We the globe can compass soon,
Swifter than the wand’ring moon.
TITANIA.
Come, my lord, and in our flight,
Tell me how it came this night
That I sleeping here was found
With these mortals on the ground.
[Exeunt. Horns sound within.]
Enter Theseus, Hippolyta, Egeus
and Train.
THESEUS.
Go, one of you, find out the forester;
For now our observation is perform’d;
And since we have the vaward of the day,
My love shall hear the music of my hounds.
Uncouple in the western valley; let them go.
Dispatch I say, and find the forester.
[Exit an Attendant.]
We will, fair queen, up to the mountain’s top,
And mark the musical confusion
Of hounds and echo in conjunction.
HIPPOLYTA.
I was with Hercules and Cadmus once,
When in a wood of Crete they bay’d the bear
With hounds of Sparta. Never did I hear
Such gallant chiding; for, besides the groves,
The skies, the fountains, every region near
Seem’d all one mutual cry. I never heard
So musical a discord, such sweet thunder.
THESEUS.
My hounds are bred out of the Spartan kind,
So flew’d, so sanded; and their heads are hung
With ears that sweep away the morning dew;
Crook-knee’d and dewlap’d like Thessalian bulls;
Slow in pursuit, but match’d in mouth like bells,
Each under each. A cry more tuneable
Was never holla’d to, nor cheer’d with horn,
In Crete, in Sparta, nor in Thessaly.
Judge when you hear.—But, soft, what nymphs are these?
EGEUS.
My lord, this is my daughter here asleep,
And this Lysander; this Demetrius is;
This Helena, old Nedar’s Helena:
I wonder of their being here together.
THESEUS.
No doubt they rose up early to observe
The rite of May; and, hearing our intent,
Came here in grace of our solemnity.
But speak, Egeus; is not this the day
That Hermia should give answer of her choice?
EGEUS.
It is, my lord.
THESEUS.
Go, bid the huntsmen wake them with their horns.
Horns, and shout within. Demetrius,
Lysander, Hermia and Helena wake and start up.
Good morrow, friends. Saint Valentine is past.
Begin these wood-birds but to couple now?
LYSANDER.
Pardon, my lord.
He and the rest kneel to Theseus.
THESEUS.
I pray you all, stand up.
I know you two are rival enemies.
How comes this gentle concord in the world,
That hatred is so far from jealousy
To sleep by hate, and fear no enmity?
LYSANDER.
My lord, I shall reply amazedly,
Half sleep, half waking; but as yet, I swear,
I cannot truly say how I came here.
But, as I think (for truly would I speak)
And now I do bethink me, so it is:
I came with Hermia hither. Our intent
Was to be gone from Athens, where we might be
Without the peril of the Athenian law.
EGEUS.
Enough, enough, my lord; you have enough.
I beg the law, the law upon his head.
They would have stol’n away, they would, Demetrius,
Thereby to have defeated you and me:
You of your wife, and me of my consent,
Of my consent that she should be your wife.
DEMETRIUS.
My lord, fair Helen told me of their stealth,
Of this their purpose hither to this wood;
And I in fury hither follow’d them,
Fair Helena in fancy following me.
But, my good lord, I wot not by what power,
(But by some power it is) my love to Hermia,
Melted as the snow, seems to me now
As the remembrance of an idle gaud
Which in my childhood I did dote upon;
And all the faith, the virtue of my heart,
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betroth’d ere I saw Hermia.
But like a sickness did I loathe this food.
But, as in health, come to my natural taste,
Now I do wish it, love it, long for it,
And will for evermore be true to it.
THESEUS.
Fair lovers, you are fortunately met.
Of this discourse we more will hear anon.
Egeus, I will overbear your will;
For in the temple, by and by with us,
These couples shall eternally be knit.
And, for the morning now is something worn,
Our purpos’d hunting shall be set aside.
Away with us to Athens. Three and three,
We’ll hold a feast in great solemnity.
Come, Hippolyta.
[Exeunt Theseus, Hippolyta,
Egeus and Train.]
DEMETRIUS.
These things seem small and undistinguishable,
Like far-off mountains turnèd into clouds.
HERMIA.
Methinks I see these things with parted eye,
When everything seems double.
HELENA.
So methinks.
And I have found Demetrius like a jewel,
Mine own, and not mine own.
DEMETRIUS.
Are you sure
That we are awake? It seems to me
That yet we sleep, we dream. Do not you think
The Duke was here, and bid us follow him?
HERMIA.
Yea, and my father.
HELENA.
And Hippolyta.
LYSANDER.
And he did bid us follow to the temple.
DEMETRIUS.
Why, then, we are awake: let’s follow him,
And by the way let us recount our dreams.
[Exeunt.]
BOTTOM.
[Waking.] When my cue comes, call me, and I will answer. My next is
‘Most fair Pyramus.’ Heigh-ho! Peter Quince! Flute, the
bellows-mender! Snout, the tinker! Starveling! God’s my life!
Stol’n hence, and left me asleep! I have had a most rare vision. I have
had a dream, past the wit of man to say what dream it was. Man is but an ass if
he go about to expound this dream. Methought I was—there is no man can
tell what. Methought I was, and methought I had—but man is but a patched
fool if he will offer to say what methought I had. The eye of man hath not
heard, the ear of man hath not seen, man’s hand is not able to taste, his
tongue to conceive, nor his heart to report, what my dream was. I will get
Peter Quince to write a ballad of this dream: it shall be called
‘Bottom’s Dream’, because it hath no bottom; and I will sing
it in the latter end of a play, before the Duke. Peradventure, to make it the
more gracious, I shall sing it at her death.
[Exit.]
SCENE II. Athens. A Room in Quince’s House
Enter Quince, Flute, Snout and
Starveling.
QUINCE.
Have you sent to Bottom’s house? Is he come home yet?
STARVELING.
He cannot be heard of. Out of doubt he is transported.
FLUTE.
If he come not, then the play is marred. It goes not forward, doth it?
QUINCE.
It is not possible. You have not a man in all Athens able to discharge Pyramus
but he.
FLUTE.
No, he hath simply the best wit of any handicraft man in Athens.
QUINCE.
Yea, and the best person too, and he is a very paramour for a sweet voice.
FLUTE.
You must say paragon. A paramour is, God bless us, a thing of naught.
Enter Snug.
SNUG
Masters, the Duke is coming from the temple, and there is two or three lords
and ladies more married. If our sport had gone forward, we had all been made
men.
FLUTE.
O sweet bully Bottom! Thus hath he lost sixpence a day during his life; he
could not have ’scaped sixpence a day. An the Duke had not given him
sixpence a day for playing Pyramus, I’ll be hanged. He would have
deserved it: sixpence a day in Pyramus, or nothing.
Enter Bottom.
BOTTOM.
Where are these lads? Where are these hearts?
QUINCE.
Bottom! O most courageous day! O most happy hour!
BOTTOM.
Masters, I am to discourse wonders: but ask me not what; for if I tell you, I
am not true Athenian. I will tell you everything, right as it fell out.
QUINCE.
Let us hear, sweet Bottom.
BOTTOM.
Not a word of me. All that I will tell you is, that the Duke hath dined. Get
your apparel together, good strings to your beards, new ribbons to your pumps;
meet presently at the palace; every man look o’er his part. For the short and
the long is, our play is preferred. In any case, let Thisbe have clean linen;
and let not him that plays the lion pare his nails, for they shall hang out for
the lion’s claws. And most dear actors, eat no onions nor garlick, for
we are to utter sweet breath; and I do not doubt but to hear them say it is a
sweet comedy. No more words. Away! Go, away!
[Exeunt.]