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The Unessay and the Zine: Attending to the Genres We Invite, Support and Exclude

Jason Loan

Introduction

Developing an inclusive and anti-racist pedagogy relies not only on attending to questions of grading or ungrading which is just one element of the overall assessment ecology, but also in attending to questions of the genres 1 in which ask students to compose.

If, as Tema Okun has illustrated to us, the “worship of the written word” and valorizing “only what is written to a narrow standard” is a characteristic of white supremacy culture, then the genres of communication and knowledge-making we consciously (and unconsciously) invite, support, and exclude our students from composing with are vital to anti-racist pedagogical practice.

In what follows I present the unessay and the zine as ways of working with your students towards a more inclusive and possibly anti-racist vision of writing and knowledge-making. The concept of the unessay functions as a framework, a context from which a variety of genres might be supported and emerge. The zine offers an example of one such genre.

Course Context

 

A Zine About the “Unessay”

This zine is about the unessay, an assignment originally developed by Daniel Paul O’Donnell and subsequently taken up by a variety of teachers.

 

Cover page to Unessay Zine.
Click on the image to read the digital zine on Itch.io.

Download and Assemble “The “Unessay” zine

How-to Assemble This Zine

Read “The Unessay” zine as PDF

Some Zines

A Manifesto for the “Unessay” as a Project Framework

“Unessay” Resources

Zine Resources

Zines in the Classroom and on Campus

 

 


  1. Remember Carolyn Miller — genres are not simply categories of things or forms, but are social action.  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

License

Icon for the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Antiracist Curriculum Design: A Living Repository Copyright © by Katherine Burns; Justin Ericksen; Adie Kleckner; Jason Loan; Reggie Townley; Heather Urschel; and Brian Cope is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.